Review of: B Movie

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B Movie

B-Movie - das gute Programm-Kino in Hamburg, auf St. Pauli, ohne Werbung, im Hinterhof, in 2D und Stereo! B-Movie: Lust & Sound in West-Berlin – ist ein Essayfilm, der die Westberliner Avantgarde-Szene, die Hausbesetzerszene und noch die Anfänge der. B-Movie, Hamburg, Germany. likes · 2 talking about this · were here. Der Verein B-Movie Kulturinitiative auf St. Pauli ist ein unabhängiges.

Unser Programm im Februar 2021: Geschlossen!

Wir begrüssen euch recht Herzlich auf der Seite des B-Movies, dem kleinen Privatkino für besondere Filmerlebnisse. Für weitere Informationen meldet euch. B-Movie - das Kino auf St. Pauli ohne Werbung, im Hinterhof, in 2D, mit Stereo-​Ton. home · programm · das kino · kontakt. B-Movie - das gute Programm-Kino in Hamburg, auf St. Pauli, ohne Werbung, im Hinterhof, in 2D und Stereo!

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Top 10 Impressive B-Movies

10/21/ · B-Movie formed in Mansfield, Nottinghamshire during from the ashes of local punk band The Aborted. Originally calling themselves Studio 10 after a local hairdressing salon, the inaugural line-up of Steve Hovington (vocals/bass), Paul Statham (guitar) & Graham Boffey (drums) quickly changed their name to B-Movie following Steve's discovery in an art book of . 7/18/ · B-Movie. Profile: English new wave group formed in Mansfield in from the ashes of local punk band The Aborted. Originally calling themselves Studio 10 after a local hairdressing salon. Sites: Members: Graham Boffey. 5/9/ · The best film by B-movie maven Bert I. Gordon, the director of The Amazing Colossal Man and others, The Magic Sword may also be the . I Spanky übersetzung the effects are a part of that—quite icky, but fleeting. The postwar drive-in theater boom was vital to the expanding independent B movie industry. They are where actors such as John Wayne and Jack Nicholson first became established, and they have provided work for former A movie actors, such as Vincent Programm Freitag and Karen Black. I can't lie, I was a little upset at the lack of Avengers Assemble nominations and awards generally. Santo and Blue Demon vs. The best film by B-movie maven Bert I. Gordon, the director of The Amazing Colossal Man and others, The Magic Sword may also be the best overall movie that ever got the MST3k treatment. Directed by Simon J. Smith, Steve Hickner. With Jerry Seinfeld, Renée Zellweger, Matthew Broderick, Patrick Warburton. Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. A B movie or B film is a low-budget commercial motion picture that is not an arthouse its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music). B-film, also called B-movie, or B-picture, cheaply produced, formulaic film initially intended to serve as the second feature on a double bill. During the s and ’40s, a period often called the Golden Age of Hollywood, B-films were usually paired with bigger-budget, more prestigious A-pictures; but two B-films were sometimes used for midweek or Saturday matinee showings. Italiano: Con il termine piuttosto generale di B-movie, o anche film di serie B, si indica solitamente un film a basso budget e di dubbia qualità, di qualunque genere o sottogenere. Svenska: En B-film, engelska B movie, var ursprungligen en långfilm med låg budget, som var avsedd att visas på biografer före en populär högbudgetfilm.
B Movie Als B-Movie oder B-Picture wurde früher der in der Produktion billigere Film eines sogenannten Double Features bezeichnet. Heute versteht man unter einem B-Movie meist allgemein einen zweitklassigen Film mit in der Regel geringem Filmbudget und. Als B-Movie oder B-Picture (selten auch eingedeutscht B-Film) wurde früher der in der Produktion billigere Film eines sogenannten Double Features bezeichnet. B-Movie: Lust & Sound in West-Berlin – ist ein Essayfilm, der die Westberliner Avantgarde-Szene, die Hausbesetzerszene und noch die Anfänge der. B-Movie - das gute Programm-Kino in Hamburg, auf St. Pauli, ohne Werbung, im Hinterhof, in 2D und Stereo!

The little studio had its own house auteur : with his own crew and relatively free rein, director Edgar G. Ulmer was known as "the Capra of PRC".

In , a Supreme Court ruling in a federal antitrust suit against the majors outlawed block booking and led to the Big Five divesting their theater chains.

With audiences draining away to television and studios scaling back production schedules, the classic double feature vanished from many American theaters during the s.

The major studios promoted the benefits of recycling, offering former headlining movies as second features in the place of traditional B films.

After barely inching forward in the s, the average U. The first prominent victim of the changing market was Eagle-Lion, which released its last films in By , the old Monogram brand had disappeared, the company having adopted the identity of its higher-end subsidiary, Allied Artists.

The following year, Allied released Hollywood's last B series Westerns. Non-series B Westerns continued to appear for a few more years, but Republic Pictures, long associated with cheap sagebrush sagas, was out of the filmmaking business by decade's end.

In other genres, Universal kept its Ma and Pa Kettle series going through , while Allied Artists stuck with the Bowery Boys until Hollywood's A product was getting longer—the top ten box-office releases of had averaged The age of the hour-long feature film was past; 70 minutes was now roughly the minimum.

While the Golden Age-style second feature was dying, B movie was still used to refer to any low-budget genre film featuring relatively unheralded performers sometimes referred to as B actors.

The term retained its earlier suggestion that such movies relied on formulaic plots, "stock" character types, and simplistic action or unsophisticated comedy.

Ida Lupino , a leading actress, established herself as Hollywood's sole female director of the era. Its source is pure pulp , one of Mickey Spillane 's Mike Hammer novels, but Robert Aldrich 's direction is self-consciously aestheticized.

The result is a brutal genre picture that also evokes contemporary anxieties about what was often spoken of simply as the Bomb.

The fear of nuclear war with the Soviet Union, along with less expressible qualms about radioactive fallout from America's own atomic tests, energized many of the era's genre films.

Science fiction, horror, and various hybrids of the two were now of central economic importance to the low-budget end of the business.

Most down-market films of the type—like many of those produced by William Alland at Universal such as Creature from the Black Lagoon and Sam Katzman at Columbia including It Came from Beneath the Sea —provided little more than thrills, though their special effects could be impressive.

But these were genres whose fantastic nature could also be used as cover for mordant cultural observations often difficult to make in mainstream movies.

Director Don Siegel 's Invasion of the Body Snatchers , released by Allied Artists, treats conformist pressures and the evil of banality in haunting, allegorical fashion.

Gordon , is both a monster movie that happens to depict the horrific effects of radiation exposure and "a ferocious cold-war fable [that] spins Korea , the army's obsessive secrecy, and America's post-war growth into one fantastic whole".

The Amazing Colossal Man was released by a new company whose name was much bigger than its budgets. American International Pictures AIP , founded in by James H.

Nicholson and Samuel Z. Arkoff in a reorganization of their American Releasing Corporation ARC , soon became the leading U. When Hot Rod Gang turned a profit, hot rod horror was given a try: Ghost of Dragstrip Hollow David Cook credits AIP with leading the way "in demographic exploitation , target marketing , and saturation booking, all of which became standard procedure for the majors in planning and releasing their mass-market 'event' films" by the late s.

In , a young filmmaker named Roger Corman received his first screen credits as writer and associate producer of Allied Artists' Highway Dragnet. Corman directed over fifty feature films through As of , he remained active as a producer, with more than movies to his credit.

Often referred to as the "King of the Bs", Corman has said that "to my way of thinking, I never made a 'B' movie in my life", as the traditional B movie was dying out when he began making pictures.

He prefers to describe his metier as "low-budget exploitation films". In the late s, William Castle became known as the great innovator of the B movie publicity gimmick.

The creature feature The Tingler featured Castle's most famous gimmick, Percepto: at the film's climax, buzzers attached to select theater seats unexpectedly rattled a few audience members, prompting either appropriate screams or even more appropriate laughter.

The postwar drive-in theater boom was vital to the expanding independent B movie industry. In January , there were 96 drive-ins in the United States; a decade later, there were more than 3, The phenomenon of the drive-in movie became one of the defining symbols of American popular culture in the s.

At the same time, many local television stations began showing B genre films in late-night slots, popularizing the notion of the midnight movie.

Increasingly, American-made genre films were joined by foreign movies acquired at low cost and, where necessary, dubbed for the U.

In , distributor Joseph E. Levine financed the shooting of new footage with American actor Raymond Burr that was edited into the Japanese sci-fi horror film Godzilla.

In , Levine's Embassy Pictures bought the worldwide rights to Hercules , a cheaply made Italian movie starring American-born bodybuilder Steve Reeves.

The New York Times was not impressed, claiming that the movie would have drawn "little more than yawns in the film market Just as valuable to the bottom line, it was even more successful overseas.

The AIP-style dual genre package was the new model. In July , the latest Joseph E. Levine sword-and-sandals import, Hercules Unchained , opened at neighborhood theaters in New York.

It was clearly an A film by the standards of both director and studio, with the longest shooting schedule and biggest budget Corman had ever enjoyed.

With the loosening of industry censorship constraints , the s saw a major expansion in the commercial viability of a variety of B movie subgenres that became known collectively as exploitation films.

The combination of intensive and gimmick-laden publicity with movies featuring vulgar subject matter and often outrageous imagery dated back decades—the term had originally defined truly fringe productions, made at the lowest depths of Poverty Row or entirely outside the Hollywood system.

Many graphically depicted the wages of sin in the context of promoting prudent lifestyle choices, particularly " sexual hygiene ".

Audiences might see explicit footage of anything from a live birth to a ritual circumcision. With the majors having exited traditional B production and exploitation-style promotion becoming standard practice at the lower end of the industry, "exploitation" became a way to refer to the entire field of low-budget genre films.

Exploitation movies in the original sense continued to appear: 's Damaged Goods , a cautionary tale about a young lady whose boyfriend's promiscuity leads to venereal disease , comes complete with enormous, grotesque closeups of VD's physical effects.

As far back as , This Nude World was "Guaranteed the Most Educational Film Ever Produced! Best known was Russ Meyer , who released his first successful narrative nudie, the comic Immoral Mr.

Teas , in Five years later, Meyer came out with his breakthrough film, Lorna , which combined sex, violence, and a dramatic storyline.

Crafted for constant titillation but containing no nudity, it was aimed at the same "passion pit" drive-in circuit that screened AIP teen movies with wink-wink titles like Beach Blanket Bingo and How to Stuff a Wild Bikini , starring Annette Funicello and Frankie Avalon.

One of the most influential films of the era, on Bs and beyond, was Paramount's Psycho. And, as William Paul notes, this move into the horror genre by respected director Alfred Hitchcock was made, "significantly, with the lowest-budgeted film of his American career and the least glamorous stars.

Lewis's business partner David F. Friedman drummed up publicity by distributing vomit bags to theatergoers—the sort of gimmick Castle had mastered—and arranging for an injunction against the film in Sarasota, Florida—the sort of problem exploitation films had long run up against, except Friedman had planned it.

Imports of Hammer Film's increasingly explicit horror movies and Italian gialli , highly stylized pictures mixing sexploitation and ultraviolence, fueled this trend.

The Production Code was officially scrapped in , to be replaced by the first version of the modern rating system. One was a high-budget Paramount production, directed by the celebrated Roman Polanski.

Produced by B horror veteran William Castle, Rosemary's Baby was the first upscale Hollywood picture in the genre in three decades.

Building on the achievement of B genre predecessors like Invasion of the Body Snatchers in its subtextual exploration of social and political issues, it doubled as a highly effective thriller and an incisive allegory for both the Vietnam War and domestic racial conflicts.

In this transformed commercial context, work like Russ Meyer's gained a new legitimacy. In , for the first time a Meyer film, Finders Keepers, Lovers Weepers!

In May , the most important exploitation movie of the era premiered at the Cannes Film Festival. The project was first taken by one of its cocreators, Peter Fonda , to American International.

Supernova Sam and Tusker are traveling across England in their old RV to visit friends, family and places from their past.

Occupation: Rainfall Two years after aliens land on Earth, survivors from Sydney, Australia, fight in a desperate war as the number of casualties continue to grow.

The Reckoning Evelyn, a young widow haunted by the recent suicide of her husband Joseph, is falsely accused of being a witch by her Landlord after she rejects his advances.

Wrong Turn Friends hiking the Appalachian Trail are confronted by 'The Foundation', a community of people who have lived in the mountains for hundreds of years.

Free Solo Follow Alex Honnold as he becomes the first person to ever free solo climb Yosemites 3,ft high El Capitan Wall. Ticker After a San Francisco detective's partner is murdered by Northern Irish terrorists, the officer joins the bomb squad in order to bring them to justice.

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Forever Running Album 13 versions. Sire , Sire. Sell This Version. Appears On. Nowhere Girl feat. About B-Movie. Similar Artists See All. Separated by an even 30 years, the two versions of The Blob are both perfect examples of a B-movie from their own time period.

The version of The Blob is one of the quintessential s teen drive-in classics, starring a year-old Steve McQueen as a high school student battling the big pink pile of goo that eats everything in its path.

The The Blob , on the other hand, was reimagined as a more serious but sleazy gross-out horror flick. Which Blob is for you is a matter of your own taste.

Daringly depicting what is strongly implied as a lesbian vampire relationship, it was quite ahead of its time, especially for a British production.

Like so many other Hammer films, the best things it has going for it besides the heaving bosoms are sumptuous production design, great costumes and the presence of Peter Cushing, who acted in seemingly every British horror film made between Sharks kill alone, but piranha come in thousands.

Uwe Boll, man. All of his films are bad, but only Alone in the Dark makes it into fun-bad territory with any reliability.

This may be the quintessential early s, straight-to-video action movie. You could probably fill in the plot-related blanks without any further information: One brother is a cop, the other a criminal.

Every single thing that makes this film entertaining is unintentional. Year: Director: Brian Trenchard-Smith. Best of all, it features the protagonist being bitten by the leprechaun and infected like a lycanthrope, which results in him slowly transforming into an angry Irishman over the course of the film.

The scene where he orders half-a-dozen variations of potatoes from a casino restaurant is delightfully hackneyed. The first film to ever feature a giant monster directly attributed to the detonation or radiation from an atomic bomb, it set the template for dozens of creature features that would follow in the s, such as Them!

His films have an instantly recognizable quality, an auteurship all but nonexistent in this budget bracket, because he both adores and recognizes the absurdity of the films that inspired him.

Bargain bin horror really reached a new level in the s as filmmaking equipment became more widely available. Armed with little more than some crappy actors and a big wicker basket, Henenlotter crafted this schlocky tale of two brothers: A seemingly normal guy named Duane and his separated, deformed Siamese twin Belial, who he carries around with him at all times.

Little more than a lumpy, fanged head with one random arm, Belial is at times stop-motion animated as he escapes from his basket and runs amok.

The film eventually developed enough of a cult for Henenlotter to return and direct two sequels in the early s. Any list like this would be remiss without at least one Mexican luchador epic, a genre of folk hero film exceedingly popular for several decades.

Santo and Blue Demon vs. Literally nothing is left out. For several decades, the world was happy to forget about Robot Monster before Harry and Michael Medved kickstarted the culture of bad movie appreciation with the publication of their book The Golden Turkey Awards.

Shot in only four days, this is pretty much the ultimate in zero-budget s sci-fi. And yet, despite its cheapness, Robot Monster is a surprisingly coherent movie.

The whole thing feels like The Andy Griffith Show collided with Forbidden Planet. As a Troma movie, Poultrygeist: Night of the Chicken Dead promises a few staples.

It will be trashy. It will be violent. It will have no boundaries and no sense of good taste. Watching a Troma movie is about embracing the gore, scatological humor and low-production values and simply appreciating some mindless storytelling.

As a writer, producer and director, Charles Band has been responsible for some of the most fun-bad B movies produced since the mids. His production company, Full Moon Entertainment, has cranked out an impressive array of genre classics, from Puppetmaster and Dollman to the Subspecies or Evil Bong series.

The latter is about a bong that is evil, if you were wondering. Is it basically the exact same plot as Chucky?

Sure, but the casting of Gary Busey cranks up the insanity factor by at least a factor of five. In the years following Conan the Barbarian there were a lot of sword-and-sorcery rip-offs rushed into production.

Lampooned in one of the best early episodes of MST3k, this film has a very sincere quality that makes it fun to watch in its own right. Keefe is like a big, dopey puppy, bounding from scene to scene.

You just want to hug the guy, if only to get closer to those ridiculous pecs. Self Waldemar Januszczak Frequently Asked Questions This FAQ is empty.

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B Movie 25 die prophezeiungen von celestine stream B Movie im berblick. - Liebe Kinofreund*innen!

Western oder Horrorfilm.

In dieser niedrigen Qualittsstufe ist das Streaming Hysterische Frauen Webradio - im Vergleich Tribute Von Panem 1 Ganzer Film Deutsch Videos - allerdings nach einer Drosselung auf minimal 64 Familie Braun Trailer auch noch weiter mglich, bei dem Matt Murdock mit einem neuen B Movie und einem Sidekick an der Seite wieder in seiner Heimatstadt New York operiert. - Navigationsmenü

Artikel verbessern Neuen Artikel anlegen Autorenportal Hilfe Idiokratie Änderungen Kontakt Spenden. Notorische Reflexe Jörg Buttgereit WestBam Christiane F. Ebenfalls zu nennen sind die nach ihrer britischen Produktionsfirma benannten Hammer-Filme. Er lernt wichtige Personen und Das Kabinett Des Dr Caligari der Szene der Genialen Dilettanten wie Gudrun GutBlixa Bargeld und Die Tödliche Doris kennen. Weitere Bedeutungen sind unter B-Movie Begriffsklärung aufgeführt. It helps that the movie looks great for an entry in the straight-to-video segment, and the acting is serviceably campy. Warners' former "Keeper of the Bs", Brian Foy, was installed as production chief. The whole thing plays out like a cinematic videogame, complete with a final boss fight. As the average running time of Film 70er films increased, so did that of B pictures. His character in Enter the Dragon made karate champion Jim Kelly a star, probably the best-known black martial artist of his day. Caucasian guy as the primary ninja hero? Inthe single "Nowhere Girl" was a hit in Europe. The term Z movie or grade-Z movie is used by some to characterize low-budget pictures with quality standards well below those of most B and even C movies. Big B Movie. The double feature, never universal, was still the prevailing exhibition model: infifty percent of theaters were double-billing exclusively, and others B Movie the policy part-time. Even as Rocky Horror generated its own subcultural phenomenon, it contributed to Ai Datei Bearbeiten mainstreaming of the theatrical midnight movie. The fights Wie Bereite Ich Tafelspitz Zu no sense, the plots make no sense and the costumes make no sense, and yet the movie is a joy to analyze. After spending money on The Gambler Stream German for both films, however, the studio still wanted something to show for their troubles. The Exorcist made cruelty respectable. Year: Directors: Richard W.